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Home / Business / The best television moments of 2017, from & # 39; Game of Thrones & # 39; to & # 39; Master of None & # 39;

The best television moments of 2017, from & # 39; Game of Thrones & # 39; to & # 39; Master of None & # 39;


Currently, television is everywhere. It's in the living rooms, on the laptops and on the phones. Very rarely there are events that cause everyone to gather around the television. But that does not mean that people no longer join the big television. From Master of None to Handmaid & # 39; s Tale to Game of Thrones many shows featured people who spoke in 2017. These television moments were among the top. [19659002] The Good Place Goes Deep

The comedy of the beyond of Michael Schur is the best of the open television for many reasons: incredible interpretations, intelligent writing, a Simpsons ̵

1; level of Love for word games, but in his first season and a half, nothing has distilled his genius better than the episode "The Trolley Problem". Fed up with the philosophical teachings of the Chidi theory (William Jackson Harper), Michael (Ted Danson) tests his ethics by converting the famous thought experiment into a recreation of real life. Things, as expected, are derailed. There are still jokes in the background (the movie advertises STRANGE ADVERTISERS UNDER A TRAIN and BEND I LIKE BENTHAM), but above all the sequence underscores what the fans already knew: The Good Place thinks more about thinking hard than any another thing on TV. -Peter Rubin

Saturday Night Live & # 39; s & # 39; s & # 39; s & # 39; s Come Back, Barack & # 39;

Since taking office in January, Donald Trump has tried to ruin the middle class by increasing taxes, reforming environmental policy, reforming the justice system in a more conservative company, rewriting civil liberties for transgender men and women, stripping Americans of affordable health care, imposing a travel ban on Muslim countries and continuously insulting private and public citizens on Twitter. All of which made the SNL segment "Come Back, Barack", starring Chance the Rapper, Kenan Thompson and Chris Redd in a music video inspired by Boyz II Men of the 90s, one of the most Fun TV all year. We miss you, 44! -Jason Parham

Dave Chappelle & # 39; s 10-Minute Freestyle on Def Comedy Jam 25

Fifty-six minutes on the Netflix special to honor the legacy of the innovative stand-up comedy of HBO, the host DL Hughley and Dave Chappelle walk on stage, and you know something is going to happen. Dave is too loose, standing there with his amber aviators; He is not here to act, he's just here to be with his comedy family. The reward comes after just one minute. Just when he finishes saying something semi-deep: "What Def Comedy Jam was always willing to do was take the heat, criticism and hatred … because it's basically black in the United States," an unwelcome musical signal from the DJ house. Kid Capri crashes through the speakers. Dave laughs, and what follows is a master class of improvised comedy. In the next few minutes, as he and Hughley review their "scripted" introduction again and again, they interrupt with savage white supremacists wearing tiki torches, talk about public reading and direct the crowd in an interpretation of " I'm Just a Bill "from Schoolhouse Rock . You can keep your UCB Theater and Harold podcasts; this is how improvisation really looks. -Peter Rubin

Unsafe & # 39; s Show-Within-a-Show, Due North

The only thing Issa, Molly, Lawrence, Kelly, and Unsafe crew could agree this season with the irresistible appeal of their TV show-within-the-show, the pre-Civil War soap opera Due North . Set in Antebellum South but molded in the likeness of Lee Daniels' empire she starred Regina Hall as a slave named Ninny, Scott Foley as her secret slave and mistress, and Michael Jai White as Ninny's one-legged husband. What began as a joke in the writers room soon became one of the most fascinating aspects of HBO's success for Issa Rae. When the finale was broadcast, Due North finally, and with good reason, granted recording time in the last five minutes of the show, proving to be the delicious and surprising piece of television Unsafe the crew He promised it would be. -Jason Parham

"Thanksgiving" Episode of None Master

There was not a single comic television episode better drafted last year than None Master "Thanksgiving" chapter. I say it subjectively, but also objectively: None the star Aziz Ansari and his co-star / co-writer Lena Waithe won an Emmy for it. But "Thanksgiving" is much more than a good television episode. It is also a testament to the curious and lasting ties of family and friendship, and the iterative process that is emerging is for the majority of LGBTQ people. Written primarily by Waithe, and based on his own experiences told to his mother, the whole story-told through a series of Thanksgiving meals-is handled with such depth and lightness that it is heartbreaking and moving from start to finish. end. Requires second help. -Angela Watercutter

Olenna Tyrell Getting the last word Game of Thrones

Look, many people die in Game of Thrones . Killing your favorite troublemaker is a kind of show. But man, when screenwriters are separated from someone, they do it well. This style of flare of glory was never more evident than when Jaime Lannister appeared to dismiss Highgarden and kill Lady Olenna Tyrell. The Kingslayer thought he had the upper hand until he gave the Queen of Thorns his poison and she, in very clear terms, told him that it was she who had poisoned Joffrey, his son with his twin sister Cersei. Lady Olenna then twisted the knife, adding: "Tell Cersei, I want you to know it was me." There are no microphones on Westeros, but if there were any, this is the moment when she would have dropped her own. It was so perfect and cut it even inspired a meme. Well played, Lady Olenna. -Angela Watercutter

Easy Live his name again

Joe Swanberg has always told small stories about everyday life, but as his career has progressed from mumblecore ( Hannah Takes the Stairs ) to indies from star-studded festivals ( Drinking Buddies ) for this Netflix anthology show, their lens has expanded in some encouraging way. Easy's first season introduced viewers to a wide variety of overlapping, sometimes overlapping Chicago people who navigate all kinds of relationships; this follow-up adds a series of new characters, practically all help to feel the show even wider (despite the limited screen time, Odinaka Malachi Ezeokoli and Karley Sciortino are promising newcomers). This is not TV appointment, it's TV anointing. You probably hate this kind of advice as much as I do, but feel free to skip the first episode of the season, despite a great cast, it's anomalous without meaning, and includes the rest. Preferably one Sunday morning. -Peter Rubin

Tale of the maiden . All

It could not have been another year terribly appropriate for Hulu to release his adaptation of Margaret Atwood Handmaid & # 39; s Tale . From the Women's March around the world to the myriad of sexual harassment and sexual abuse stories that emerged, 2017 was a year during which people spent a lot of time talking about the rights and roles of women. And in no other story are the rights and roles of women placed in greater relief than Tale who imagines a theocratic future where any woman who can have a baby is forced to do so by families of the ruling class. Dark and threatening, and sometimes even funny, The story of the maid was cut to the bone at a time when many people could cling to their message, even if it was hard not to feel it was under their eye. . -Angela Watercutter

Big Mouth Reaches the Heart of Filth

If you heard the phrase "Nick Kroll co-created an animated Netflix show about seventh graders with dirty hormones" I would forgive for supposing that the result would be NSFWness from wall to wall. And it was: between masturbation, Veep level blasphemy, talking about vaginas, singing plugs and planets jumps, there's almost nothing you can include here without incurring at least 19 human rights violations. But it also ended up being the sweetest and most honest program about adolescence since Freaks & Geeks due in large part to their puberty problems with equal opportunities, which is something that I can insert. Add an incredible cast of voices (in addition to Kroll and John Mulaney, there are stellar twists of Jessi Klein, Jenny Slate, Jordan Peele, Maya Rudolph, Richard Kind, the very strange weirdo Jason Mantzoukas, and many more), and you have a of the best comedy surprises of the year. Catch up now, before the show returns in 2018. -Peter Rubin

& # 39; Find Frances & # 39; in Nathan for You

Few television creators achieve in one episode the incarnation of the whole spirit of a show. This year, Nathan Fielder, creator of the cult hit Nathan For You did just that. The program, a mix of reality television and absurd comedy, is full of scenes that erased the limits of social norms, creating moments worthy of apprehension sustained by the clumsy energy that Fielder infuses in his role as a human and situational puppeteer. But the true genius of the series has always been in the way that it simultaneously finds comedy in the subtle (and not so subtle) forces that drive behavior, and humanity at the heart of it. In "Finding Frances," the two-hour season finale of the series, Fielder has the space to explore that idea more thoroughly, to reach deeper into the dark pit of humanity and draw a story that is both a meditation on the Love, repentance, and empathy, since it is a journey forced-press-pause-to-finish-laugh through the limits of the absurd. It will leave you both devastated and out of breath. -Nate Goldman

The Finale of Big Little Lies

Within a few weeks, HBO Big Little Lies went from "Are you looking …?" to "OMG, did you see it ?" There is a reason for that. What began as a high-shine soap opera about privileged people involved with big beach houses in Monterey, California, quickly became a blunt look at toxic relationships and abusive marriages. And by the time it reached its final point, no one could turn around. We will not spoil it now, but OMG, did you see that ? -Angela Watercutter

Rose Petals by Sasha Velor in RuPaul's Drag Race

The key to any great drag performance, in addition to a precise dance, impeccable makeup, a wig Fabulous, a nice crease and a perfect outfit It's an element of surprise And in the nine seasons of RuPaul's Drag Race no queen has brought more than one surprise that Sasha Velor during his battle of synchronization of lips with Shea Coulee with "So Emotional" by Whitney Houston. During the chorus of the song, well, emotional, Velor – more distressed by the second – shook her crimson wig when a cascade of rose petals fell. It was a moment of inspired genius that became even sweeter as he watched his proud father and partner break into the audience when the number came to an end. Nothing but chills, honey. -Angela Watercutter

Saturday Night Live & # 39; s Welcome to Hell & # 39;

It was a more scathing musical number or at the moment Saturday Night Live year that "Welcome to hell"? We will go ahead and answer for you: No. No, there was not. Released immediately after Matt Lauer's dismissal of the Today show and the release of Kevin Spacey House of Cards amid accusations of sexual misconduct, the music video was a reminder to all that they had no idea of ​​the harassment of women that "this has been the damned world" in which they have lived for centuries. Funny, scathing, and so on was alarming, "Welcome to Hell" was a much-needed laugh after an incredibly awful year for women. And just remember: nothing good happens in a truck. -Angela Watercutter

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